Monday, March 28, 2011
BP 10: Newspaper
sources:
https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvyoAVYH-cPNJ149ySWLcVJ-ZTWAuJnexwdMfBxoeQ_3IDYRsfHsjlawky4zzKxppJgQgsT35JtX0_KxCL1tq03TBIsa4WO3GAAN9HUoNlmqRwkGSqwpBhaG74ag5DwYL866uc2cIghqs/s400/Montrose-Colorado-Newsboy.jpg
http://ceoworld.biz/ceo/wp-content/uploads/2009/05/newspaper-archive.jpg
Sunday, March 27, 2011
RR 10: Thailand
text sources:
Roth, Leland M.. Understanding Architecture: Its Elements, History, and Meaning. New York, NY: Icon Editions, 1993. Print.
Ching, Frank, Mark Jarzombek, and Vikramaditya Prakash. A Global History of Architecture . 2nd ed. Hoboken, N.J.: Wiley, 2011. Print.
image sources:
Roth, Leland M.. Understanding Architecture: Its Elements, History, and Meaning. New York, NY: Icon Editions, 1993. Print.
Ching, Frank, Mark Jarzombek, and Vikramaditya Prakash. A Global History of Architecture . 2nd ed. Hoboken, N.J.: Wiley, 2011. Print.
image sources:
http://www.heybrian.com/lib/images/travels/thailand/2004/bangkok_wat_phra_kaew.jpg
http://travel.askthetrainer.com/wp-content/uploads/2010/09/grand-palace-map.png
http://en.wikipedia.org/wiki/File:The_Grand_Palace_of_Thailand_2.jpg
http://www.panix.com/~clay/photo/Thailand/emerald.jpg
Monday, March 21, 2011
A Day of Dining Together
"Let Them Eat Cake!"
It was about a month ago we were given the task to design a space for holding a dinner that would contribute to the suppression of world hunger; taking place in the year 2015, there have been two days established as days of dining to do just this. My design ended with some of the initial plans I created, and over time I began to appreciate the complex process of designing a space; the small details count.
The Drawings
I chose to develop the drawing first because I believe it helps me better understand a space that had not yet been built. The drawings served as instructions to build the scale model. After building the sketch model I went back to the drawings and made some adjustment; I did this a few times to reach my end product. While the drawing helped me create the space, the sketch model really put it in perspective.
Plan View |
The plan drawing ended up being my most useful one; I referred back to this drawing for all my other drawings and the model as well.
Axonometric View |
I really enjoyed drawing the axonometric view; it is almost like putting a puzzle together and figuring out what direction and angles each line went.
East Wall Elevation |
For my elevation drawing, I chose to draw the east wall, which is the Nanowall System. It is not the main focal point of the room however, it gives the room and dining experience the ‘open area’ appeal that I wanted from the very beginning. The individual glass panels are on a track system that enables them to side apart from each other and stored into a wall cubby to conceal them.
Dining Table Orthographic |
The table I designed for the dining space is a large rectangular table made out of a natural wood. I plan for the room to have neutral, light colors; the table would stand out compared to its surroundings. I intended for it to be a focal point being that the event is a dinner.
Side Table Orthographic |
The side table has the same wood material for the base, as the table. However, the surface material would be a dark marble; letting the side table to stand out, but not steal the attention from the table.
Perspective |
I was very selective on what I wanted colored on my perspective drawing. I wanted to emphasis certain details of the space as well as allude to the movement of the room. When looking at the floor it seems to show the flow of traffic or an idea of it, this is what I was aiming for because the stairs lead down into a living room space where the guests could relax and chat before and/or after the meal.
sources:
BP9: Coffee and A Movie
(Left) Kaffeehaus Jungling in Vienna, ca. 1838 - (Right) Starbucks Coffee Cups |
With the idea of colonial expansion implanted in my head, I could not help but take notice of how much the coffeehouse has impacted our world today. The desire for luxurious foods and items became prominent in the expanding middle class. Coffee originated in Ethiopia and Yemen, and made its was to Europe from Africa. Coffee was primarily commonly associated with politics due to the fact that it was drunk in the new all-male coffeehouses. It was because of the all-male coffeehouses that the coffeehouse became a new kind of establishment that was a public connection to the consumption of the social significant drink.
The idea of the coffeehouse obviously expanded here to the United States; he US embraced the lavishing beverage and if there is no Starbucks in front of you, it is less than a few miles away.
(Left) Vitascope Hall - (Right) Chicago Theatre |
As for a place the US has contributed to colonial expansion, one of my favorite places: the movie theatre. Above, to the left, is a picture of the first permanent, purpose-built movie theatre in the world: the Vitascope Hall. The theatre opened in 1896 on Main St., Buffalo, New York. Movie theatres were another form of luxury and entertainment that was accessible and affordable to high and low social classes.
sources:
Roth, Leland M.. Understanding Architecture: Its Elements, History, and Meaning. New York, NY: Icon Editions, 1993. Print
Saturday, March 19, 2011
RR9: Rebuilding London
Roth, Leland M.. Understanding Architecture: Its Elements, History, and Meaning. New York, NY: Icon Editions, 1993. Print.
Ching, Frank, Mark Jarzombek, and Vikramaditya Prakash. A Global History of Architecture . 2nd ed. Hoboken, N.J.: Wiley, 2011. Print.
image sources:
http://en.wikipedia.org/wiki/File:Cath%C3%A9drale_St-Paul_-_entr%C3%A9e_principale.jpg
http://www.london-architecture.info/LO-038.htm
http://travel.webshots.com/photo/2866548470060122320FLclGb
http://commons.wikimedia.org/wiki/File:St_Mary_Woolnoth,_Lombard_Street,_London_EC3_-_East_end_-_geograph.org.uk_-_1203001.jpg
http://www.greatbuildings.com/cgi-bin/gbi.cgi/The_Louvre.html/cid_aj3310_b.html
http://www.sacred-destinations.com/england/images/london/christ-church-spitalfields/resized/interior-cc-homemade.jpg
http://www.flickr.com/photos/ddtmmm/3590197572/
http://www.apollo-magazine.com/article_images/articledir_1597/798596/1_fullsize.jpg
http://en.wikipedia.org/wiki/File:St_George_Bloomsbury_02.jpg
Friday, March 18, 2011
"A Pattern Language" Response
An excerpt from: A Pattern Language
By: Christopher Alexander, Sara Ishikawa, Murray Silverstein
The passage that we read from A Pattern Language, addressed the methods of “working out the fundamental gradients of space”. The reading was extremely informative, and in many ways, will influence on the way I go about designing the writer’s space at St. Mary’s house, as well as projects in the future. I picked out a few of the main topics from the article that I believe will be extremely beneficial in each students design process.
Intimacy Language
When deciding where rooms are going to be placed, the individual rooms each have their own level of intimacy and this need to be taken into consideration when designing any space. A bedroom would be considered the most intimate, where the common room or kitchen would be a public space. Many times the most intimate space is in the back of a house or building and the most public is at the entrance.
“Lay out the spaces of a building so that they create a sequence which begins with the entrance and the most public parts of the building, then leads into the slightly more private areas, and finally to the most private domains.”
This is most relevant to the project I am working on in class now; it seems almost as if it is common sense but I believe the order of a house is usually overlooked by most. It is the first time we will have to design the layout of a space so it is nice to understand the basics of a well-working layout.
Indoor Sunlight
Sunlight in a room can bring it to life and make it feel welcoming. St. Mary’s House has very high ceilings including large windows that allow a great deal of sunlight to pour through and fill the room with sunlight. To achieve optimal sunlight inside, it is best to place the most public/commonly used rooms along the south edge. It is key to understand the relationship of the house and the sun in, in the morning, afternoon, and late afternoon.
Entrance Room
“Arriving in a building, or leaving it, you need a room to pass through, both inside the building and outside it. This is the entrance room.”
I agree in saying the entry of a building is very important; it is usually the first and last impression someone will have of a building. St. Mary’s House has a front porch but lacks a proper entrance room in the inside. I believe this is another key element is make the house flow work. The main reasons given for having an entrance way is:
-the relationship of windows to the entrance
-the need for shelter outside the door*
I believe the outdoor shelter is important sense there is a front porch and also there will be some traffic in and out of the writing space due to visiting students and colleges. It is never pleasant to have to wait for someone to come open the door when it is raining outside.
-the subtleties of saying goodbye
-shelf near the entrance
The Flow Through Rooms
This topic relates to the intimacy gradients when dealing with the transitions from public space to private space. I feel like this is one of my toughest duties ahead. The visiting writer need to feel at house and have a space the enables they to write. “The movement between rooms is as important as the rooms themselves; and its arrangement has much more effect on social interaction in the rooms, as the interior of the rooms.” It is suggested that one of the best ways to keep a good social environment is to have no passages at all, instead, having interconnected rooms that have doors between them.
When thinking back to previous houses I have lived in, or visited often, I realize that they all had this general pattern of interconnecting rooms.
Monday, March 14, 2011
BP 8: A Nautilus Shell
Sense the beginning of this class I have started to take more notice in thee building and forms around me. I see details everyday that the Romans or Greeks used, and can see how it has been manipulated to fit the day. While many designs grow off each other, I have taken an interest in the idea of showing power through design.
Ever sense the pyramids, rulers strived to prove their power and royalty to impress their followers and intimidate their enemies. One characteristic has remained relatively constant through out the ages and that is scale- the bigger, the better. However, the way this idea is approached is what differs from structure to structure.
I chose pictures of buildings that we have been learning about in class this year. I focused on the Pyramid of Khufu, which is the great pyramid of Giza; it is the oldest and largest of the three pyramids in Giza. It was built to be a tomb for the pharaoh; the idea of size equals power is pulsing from the structure that serves only one purpose.
The Xianyang Palace was built for rulers as well, however, instead of having one structure that came to a point, the palace spread itself vertically and horizontally. The land was also manipulated in order for the structure to appear high that the land reflecting the rulers authority and dominance.
Rome went above and beyond when it came to scale, creating structures that required new design and building methods to be developed. The Colosseum and the public baths are two examples of Rome showing off its wealth and power. The extravagant heights of the structures continue through history and even to this day. During the gothic era, massive cathedrals were being constructed to show the power of religion. The Amiens Cathedral in France has a towering, intimidating façade, while other cathedrals had a softer, more welcoming vibe. Regardless of the cathedrals atmosphere, it was almost always the dominating structure in the city that could be seen from miles and miles away.
After the gothic period a different approach is rising and the idea of height is not as important. The Chateau of Versailles is a magnificent example of how this change takes place. Buildings were designed to take up as much space on the land as they could, this controlled the way the building were viewed and showed power because of how far the eye must travel to view the ends of the structure.
So while everyone is chasing to be the best and most powerful, they are simply modifying and branching off the previous designs. Same language, different dialect.
text sources:
Roth, Leland M.. Understanding Architecture: Its Elements, History, and Meaning. New York, NY: Icon Editions, 1993. Print.
Ching, Frank, Mark Jarzombek, and Vikramaditya Prakash. A Global History of Architecture . 2nd ed. Hoboken, N.J.: Wiley, 2011. Print.
Image sources:
RR8: Katsura Imperial Villa
sources:
Ching, A Global History of Architecture
http://www.redbubble.com/people/johnrf/art/6797824-1-katsura-imperial-villa-kyoto-japan
http://outsiderjapan.pbworks.com/w/page/24461458/Katsura-Imperial-Villa
http://www.orientalarchitecture.com/japan/kyoto/katsura_gallery.php?p=katsura01.jpg
Friday, March 4, 2011
Dining Space Developments
I started planning my dining space by drawing out the plan view. There are numerous ideas running through my head of what I want in my dining space. Developing a visual representation of my initial thoughts is helping me eliminate several design ideas.
This is an image of the first sketch model I put together so I could see the skeleton shape of the area without any other elements involved.
The second model I constructed was more detailed; I enjoy making sketch models because they help me visualize what the area will somewhat look like when all pieced together.
I believe that the perspective drawing is the most informative when it comes to the room as a whole. Above is my first perspective sketch of the dining space; the fireplace/room divider is blocking the view of many important aspects so I plan to make it appear transparent in the drawings.
Material Textures
We expanded our value scale study to the materials library where we chose four materials that we were to use in the next assignment. We had to select samples of a fabric, a tile, wood, and carpet; at full scale and a one inch equals one foot scale, we were to render the each material texture in two value scales using pen on one and graphite on the other. I began by practicing in my sketchbook but when transferred to the larger paper, I found it more difficult show accurate texture in each of the 2”x2” squares.
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